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content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Dariusz D\u0142ugosz, L\u2019arch\u00e9ologie et les manuscrits de Qumran a Paris: au mus\u00e9e du Louvre, au mus\u00e9e Bible et Terre sainte \u00e0 l\u2019Institut Catholique et \u00e0 la Biblioth\u00e8que Nationale de France<\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/La_86e_Rencontre_du_Groupe_de_Travail_europ\u00e9en_sur_le_th\u00e8me.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n La 86e Rencontre du Groupe de Travail europ\u00e9en sur le th\u00e8me de l\u2019Aide multicrit\u00e8re \u00e0 la d\u00e9cision<\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”http:\/\/old.archidei.ifispan.pl\/pdf\/45_ahf001_simon_40.pdf” url_new_window=”on” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”Lato|900|||||||” custom_margin=”|||-9px” custom_padding=”|||0px” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Ko\u015bciuszko \u2013 h\u00e9ros de deux continents<\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Franciszek_Ziejka_Tadeusz_Ko\u015bciuszko_dans_la_m\u00e9moire_des_nations.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Franciszek Ziejka, Tadeusz Ko\u015bciuszko dans la m\u00e9moire des nations <\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Piotr_Ugniewski_Tadeusz_Ko\u015bciuszko__Commandant_de_lInsurrection.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Piotr Ugniewski, Tadeusz Ko\u015bciuszko \u2013 Commandant de l\u2019Insurrection de 1794 <\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Andrzej_Bialkiewicz_Les_dessins_de_Tadeusz_Ko\u015bciuszko_de_la_p\u00e9riode_parisienne.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Andrzej Bia\u0142kiewicz, Les dessins de Tadeusz Ko\u015bciuszko de la p\u00e9riode parisienne des ann\u00e9es 1769-1774 <\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Jolanta_Daszynska_Comment_Ko\u015bciuszko_est_devenu_h\u00e9ros_de_la_guerre_dind\u00e9pendance_am\u00e9ricaine._Faits_et_mythes.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Jolanta A. Daszy\u0144ska, Comment Ko\u015bciuszko est devenu h\u00e9ros de la guerre d\u2019ind\u00e9pendance am\u00e9ricaine. Faits et mythes <\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Jean_Konopka_Ko\u015bciuszko_en_Suisse.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Jean A. Konopka, Ko\u015bciuszko en Suisse\u00a0<\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Rafal_Kowalczyk_Ko\u015bciuszko__cofondateur_de_la_L\u00e9gion_du_Danube.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Rafa\u0142 Wiktor Kowalczyk, Ko\u015bciuszko \u2013 cofondateur de la L\u00e9gion du Danube <\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Mieczyslaw_Rokosz_Le_terre_de_Ko\u015bciuszko_\u00e0_Cracovie_Quest-ce_que_cest_et_quelle_est_et_quelle_est_sa_signification.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Mieczys\u0142aw Rokosz, Le terre de Ko\u015bciuszko \u00e0 Cracovie: Qu\u2019est-ce que c\u2019 est et quelle est sa signification?<\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Les_r\u00e9volutions_de_1917_en_Russie_et_leurs_cons\u00e9quences_pour_la_Pologne.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Les r\u00e9volutions de 1917 en Russie et leurs cons\u00e9quences pour la Pologne<\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Les_th\u00e9ories_de_lemprunt_linguistique_en_France_et_en_Pologne_\u00e9tudes_contrastives.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Les th\u00e9ories de l\u2019emprunt linguistique en France et en Pologne (\u00e9tudes contrastives)<\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/J\u00f3zef_Czapski_1896-1993__lhomme_lartiste_le_m\u00e9diateur_culturel.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n J\u00f3zef Czapski (1896-1993) \u2013 l\u2019homme, l\u2019artiste, le m\u00e9diateur culturel<\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Un_myst\u00e8re_culinaire_entre_luxe_savoirs_et_consommation_populaire__Le_jour_du_pain_d\u00e9pices__di\u00e9t\u00e9tique_histoire_et_tradition_.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n \u00ab Un myst\u00e8re culinaire entre luxe, savoirs et consommation populaire : Le jour du pain d\u2019\u00e9pices \u2013 di\u00e9t\u00e9tique, histoire et tradition \u00bb<\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”http:\/\/old.archidei.ifispan.pl\/pdf\/45_ahf001_simon_40.pdf” url_new_window=”on” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”Chivo|900|||||||” body_font_size=”18px” custom_margin=”|||-9px” custom_padding=”50px|||0px” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Les grandes figures de la science polonaise<\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Izabella_Zatorska_Conqu\u00e9rante_guide_traductrice__trois_actualisations_de_chercheuse_et_enseignante_sur_lexemple_dEwa_Rzadkowska_1913-2009.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Izabella Zatorska, Conqu\u00e9rante, guide, traductrice \u2013 trois actualisations d\u2019une chercheuse et enseignante : Ewa Rzadkowska (1913-2009)<\/p>\n [\/et_pb_blurb][et_pb_blurb url=”http:\/\/old.archidei.ifispan.pl\/pdf\/45_ahf001_simon_40.pdf” url_new_window=”on” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”Chivo|900|||||||” body_font_size=”18px” custom_margin=”|||-9px” custom_padding=”50px|||0px” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Expositions<\/p>\n [\/et_pb_blurb][et_pb_blurb url=”http:\/\/old.archidei.ifispan.pl\/pdf\/45_ahf001_simon_40.pdf” url_new_window=”on” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”Lato|900|||||||” custom_margin=”|||-9px” custom_padding=”|||0px” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Sienkiewicz \u2013 cartes postales de voyages<\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Natalia_Wawrzyniak_Sienkiewicz__cartes_postales_de_voyages.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Natalia Wawrzyniak, Sienkiewicz \u2013 cartes postales de voyages<\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/La_mer_Baltique_dans_les_collections_de_la_Biblioth\u00e8que_de_Gda\u0144sk_de_lAcad\u00e9mie_Polonaise_des_Sciences_.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n \u00ab La mer Baltique dans les collections de la Biblioth\u00e8que de Gda\u0144sk de l\u2019Acad\u00e9mie Polonaise des Sciences \u00bb<\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Anna_Wytyk_Conf\u00e9rence_sur_le_sujet_de_la_mer_Baltique.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Anna Wytyk, Conf\u00e9rence sur le sujet de la mer Baltique<\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Anna_Walczak_Conf\u00e9rence_sur_les_collections_sp\u00e9ciales_de_la_Biblioth\u00e8que_de_Gda\u0144sk_de_lAcad\u00e9mie_Polonaise_des_Sciences.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Anna Walczak, Conf\u00e9rence sur les collections sp\u00e9ciales de la Biblioth\u00e8que de Gda\u0144sk de l\u2019Acad\u00e9mie Polonaise des Sciences<\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”http:\/\/old.archidei.ifispan.pl\/pdf\/45_ahf001_simon_40.pdf” url_new_window=”on” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”Lato|900|||||||” custom_margin=”|||-9px” custom_padding=”|||0px” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n L\u2019ambre et ses tr\u00e9sors<\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Cezary_KrawczynskiKatarzyna_Kwiatkowska_Lambre_et_ses_tr\u00e9sors.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Cezary Krawczy\u0144ski, Katarzyna Kwiatkowska, L\u2019 ambre et ses tr\u00e9sors<\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”http:\/\/old.archidei.ifispan.pl\/pdf\/45_ahf001_simon_40.pdf” url_new_window=”on” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”Chivo|900|||||||” body_font_size=”18px” custom_margin=”|||-9px” custom_padding=”50px|||0px” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n \u00c9v\u00e9nements<\/p>\n [\/et_pb_blurb][et_pb_blurb url=”http:\/\/old.archidei.ifispan.pl\/pdf\/45_ahf001_simon_40.pdf” url_new_window=”on” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”Lato|900|||||||” custom_margin=”|||-9px” custom_padding=”|||0px” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Jubil\u00e9 40 ans 1977\u20132017. Soci\u00e9t\u00e9 des Architectes Polonais en France<\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Philippe_Boudon_Th\u00e9orie_et_doctrine_en_Architecture.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Philippe Boudon, Th\u00e9orie et doctrine en Architecture <\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/G\u00e9rard_Uniack_Quelques_pas_autour_du_beau.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n G\u00e9rard Uniack, Quelques pas autour du beau<\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Dans_les_pas_de_Marie_Sk\u0142odowska-Curie_._Pr\u00e9sentation_du_programme__Actions_MSCA_.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n \u00ab Dans les pas de Marie Sk\u0142odowska-Curie \u00bb. Pr\u00e9sentation du programme \u00ab Actions MSCA \u00bb<\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”http:\/\/old.archidei.ifispan.pl\/pdf\/45_ahf001_simon_40.pdf” url_new_window=”on” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”Chivo|900|||||||” body_font_size=”18px” custom_margin=”|||-9px” custom_padding=”50px|||0px” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Le Caf\u00e9 Scientifique<\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Jadwiga_Ga\u0142ka_Limpact_des_migrations_sur_laccroissement_d\u00e9mographique_de_la_Pologne_\u00e0_lUnion_europ\u00e9enne.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Jadwiga Ga\u0142ka, L\u2019 impact des migrations sur l\u2019accroissement d\u00e9mographique de la Pologne \u00e0 l\u2019Union europ\u00e9enne <\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Zofia_Rosinska_Psychotisation_de_la_culture.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Zofia Rosi\u0144ska, Psychotisation de la culture <\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Ma\u0142gorzata_Taborska_Les_instruments_scientifiques_fran\u00e7ais_dans_la_collection_du_Mus\u00e9e_de_lUniversit\u00e9_Jagellonne_\u00e0_Cracovie.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Ma\u0142gorzata Taborska, Les instruments scientifiques fran\u00e7ais dans la collection du Mus\u00e9e de l\u2019Universit\u00e9 Jagellonne \u00e0 Cracovie <\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Witold_Sygocki_Pologne__France__un_match_bibliom\u00e9trique._R\u00e9flexions_sur_les_scores_des_publications_scientifiques.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Witold Sygocki, Pologne : France \u2013 un match bibliom\u00e9trique. R\u00e9flexions sur les scores des publications scientifiques<\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”http:\/\/old.archidei.ifispan.pl\/pdf\/45_ahf001_simon_40.pdf” url_new_window=”on” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”Chivo|900|||||||” body_font_size=”18px” custom_margin=”|||-9px” custom_padding=”50px|||0px” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Sources<\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Piotr_Daszkiewicz_Lexpos\u00e9_dAdam-Ferdynand_Adamowicz_1802-1881_\u00e0_la_Soci\u00e9t\u00e9_Botanique_de_France__un_document_important_pour_lhistoire_des_sciences.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Piotr Daszkiewicz, L\u2019expos\u00e9 d\u2019Adam-Ferdynand Adamowicz (1802-1881) \u00e0 la Soci\u00e9t\u00e9 Botanique de France : un document important pour l\u2019histoire des sciences <\/em><\/p>\n [\/et_pb_blurb][et_pb_blurb url=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Mariusz_Sawicki_Les_Lithuaniens_en_deux_batailles_de_Janiszki_et_Dorsuniszki_dans_les_rapports_dun_diplomate_anglais_Phillip_Plantamour_en_1702.pdf” url_new_window=”on” image=”https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png” icon_placement=”left” image_icon_width=”28px” content_max_width=”100%” _builder_version=”4.13.0″ header_font=”Lato|700|||||||” body_font=”||||||||” custom_margin=”|||” custom_padding=”|||” child_filter_opacity=”67%” animation=”off” hover_transition_duration=”650ms” image_max_width=”28px” locked=”off” global_colors_info=”{}” body_text_color__hover_enabled=”on” body_text_color__hover=”#00a0e3″ child_filter_opacity__hover_enabled=”on” child_filter_opacity__hover=”100%”]<\/p>\n Mariusz Sawicki, Les Lituaniens en deux batailles de Janiszki et Dorsuniszki dans les rapports d\u2019un diplomate anglais Phillip Plantamour en 1702<\/em><\/p>\n \u00a0<\/em><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” _builder_version=”3.25″ width=”70%” max_width=”70%” custom_padding=”24px|0px|24px|0px|true|false” animation_style=”fade” use_custom_width=”on” width_unit=”off” custom_width_percent=”70%” custom_width_percent__hover=”80%” saved_tabs=”all” locked=”on” global_colors_info=”{}” width__hover=”80%” max_width__hover=”80%”][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_css_main_element=”||||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_post_nav show_next=”off” prev_text=”%title” _builder_version=”3.17.6″ title_font=”|700||on|||||” title_text_color=”#504e5a” title_font_size=”15px” custom_margin=”|||” custom_padding=”10px|||” locked=”off” global_colors_info=”{}” title_text_color__hover_enabled=”on” title_text_color__hover=”#00a0e3″][\/et_pb_post_nav][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_blurb title=”powr\u00f3t do biblioteki” url=”https:\/\/paris.pan.pl\/roczniki” use_icon=”on” font_icon=”||divi||400″ icon_color=”#504e5a” image_icon_width=”21px” _builder_version=”4.13.0″ header_font=”||||||||” header_text_align=”center” header_text_color=”#504e5a” header_font_size=”15px” body_font=”|700||on|||||” body_text_align=”center” body_text_color=”#504e5a” body_font_size=”15px” text_orientation=”center” module_alignment=”center” custom_margin=”|||” custom_padding=”|||” custom_css_blurb_image=”padding-bottom:0px;||margin-bottom: 0px;” icon_font_size=”21px” global_colors_info=”{}” header_text_color__hover_enabled=”on” header_text_color__hover=”#00a0e3″ icon_color__hover_enabled=”on” icon_color__hover=”#00a0e3″][\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_post_nav show_prev=”off” next_text=”%title” _builder_version=”3.17.6″ title_font=”|700||on|||||” title_text_color=”#504e5a” title_font_size=”15px” custom_margin=”|||” custom_padding=”10px|||” global_colors_info=”{}” title_text_color__hover_enabled=”on” title_text_color__hover=”#00a0e3″][\/et_pb_post_nav][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Table des mati\u00e8res Calendrier Hommage \u00e0 Bernard Roy Colloques Assises franco-polonaises de math\u00e9matique et m\u00e9canique appliqu\u00e9es Qumr\u00e2n… 70 ans apr\u00e8s la d\u00e9couverte\u00a0 Dariusz D\u0142ugosz, Soir\u00e9e d\u2019\u00e9tudes franco-polonaises: Qumran… 70 ans apr\u00e8s la decouverte Dariusz D\u0142ugosz, L\u2019arch\u00e9ologie et les manuscrits de Qumran a Paris: au mus\u00e9e du Louvre, au mus\u00e9e Bible et Terre sainte \u00e0 l\u2019Institut […]<\/p>\n","protected":false},"author":1,"featured_media":3360,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[],"class_list":["post-1119","project","type-project","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/project\/1119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/comments?post=1119"}],"version-history":[{"count":0,"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/project\/1119\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/media\/3360"}],"wp:attachment":[{"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/media?parent=1119"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/project_category?post=1119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}