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child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Sur les chemins de Saint Martin. Hongrie \u2013 France \u2013 Pologne<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_022-037.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Antoni Jackowski, El\u017cbieta Bilska-Wodecka, Izabela So\u0142jan, <em>La g\u00e9ographie des p\u00e9r\u00e9grinations de l\u2019homme aux lieux sacr\u00e9s<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_038-058.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Ferenc T\u00f3th, <em>Le culte de Saint Martin et la ville de Szombathely<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_059-084.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Konrad Bia\u0142ecki, <em>Rue \u015aw. Marcin (Saint Martin)\/Czerwonej Armii (Arm\u00e9e rouge) comme un lieu de \u00ab dialogue orageux \u00bb des autorit\u00e9s avec la soci\u00e9t\u00e9 dans les ann\u00e9es 1945\u20131989<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_085-091.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p><em>Construction d\u2019un imaginaire collectif europ\u00e9en<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_092-096.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Maciej Serwa\u0144ski, <em>\u00c0 la cour d\u2019Henri de Valois<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_097-105.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Marie-Louise Pelus-Kaplan, <em>Dantzig dans les relations \u00e9conomiques entre la France et la Pologne \u00e0 l\u2019\u00e9poque moderne<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_106-109.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Jakub Bajer, <em>Une dauphine d\u2019esprit polonais \u00e0 la cour de Versailles<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_110-114.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Daniel Tollet, <em>Sobieski et la France<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_115-128.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Filip Bebenow, <em>Les transformations du r\u00e9seau ferroviaire \u00e0 voie \u00e9troite : exemple de chemin de fer de \u017bu\u0142awy<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_129-144.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; 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image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Adam Manikowski,<em> L\u2019Universit\u00e9 de Varsovie et ses professeurs pendant la Seconde Guerre mondiale et dans les premi\u00e8res ann\u00e9es de l\u2019apr\u00e8s-guerre<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_181-188.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Tomasz Schramm, <em>Les \u00e9lites universitaires polonaises durant la Seconde Guerre mondiale : l\u2019Universit\u00e9 de Pozna\u0144<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_189-197.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Tomasz Szarota, <em>Fran\u00e7ais et Polonais \u2013 regards crois\u00e9s pendant la Seconde Guerre mondiale<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_198-206.pdf&#8221; 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url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Piotr Daszkiewicz, <em>La science et la politique \u2013 Jean-Emmanuel Gilibert (1741\u20131814) en R\u00e9publique des Deux Nations<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_226-240.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Ewa Bobrowska, <em>\u2018La grande Bozna\u0144ska\u2019 : connue, m\u00e9connue, red\u00e9couverte ?<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_241-251.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Agnieszka Kluczewska-W\u00f3jcik, <em>Feliks \u00ab Manggha \u00bb Jasie\u0144ski et sa collection au Mus\u00e9e National de Cracovie<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_252-256.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>Agnieszka Jakuboszczak, <em>Teofila z Dzia\u0142y\u0144skich Szo\u0142drska Potulicka \u2013 portrait d\u2019une dame mondaine \u00e0 travers les archives francophones de K\u00f3rnik<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_257-265.pdf&#8221; url_new_window=&#8221;on&#8221; image=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png&#8221; icon_placement=&#8221;left&#8221; image_icon_width=&#8221;28px&#8221; content_max_width=&#8221;100%&#8221; admin_label=&#8221;Wpis w roczniku&#8221; _builder_version=&#8221;4.13.0&#8243; header_font=&#8221;Lato|700|||||||&#8221; body_font=&#8221;||||||||&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; child_filter_opacity=&#8221;67%&#8221; animation=&#8221;off&#8221; hover_transition_duration=&#8221;650ms&#8221; image_max_width=&#8221;28px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; body_text_color__hover_enabled=&#8221;on&#8221; body_text_color__hover=&#8221;#00a0e3&#8243; child_filter_opacity__hover_enabled=&#8221;on&#8221; child_filter_opacity__hover=&#8221;100%&#8221;]<\/p>\n<p>J\u00e9r\u00e9mie Fischer, <em>Les diff\u00e9rents visages de la noblesse polonaise dans les M\u00e9moires de l&#8217;abb\u00e9 Pochard (1796\u20131833)<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=&#8221;https:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Annales_17_266-272.pdf&#8221; 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Hongrie \u2013 France \u2013 Pologne Antoni Jackowski, El\u017cbieta Bilska-Wodecka, Izabela So\u0142jan, La g\u00e9ographie des p\u00e9r\u00e9grinations de l\u2019homme aux lieux sacr\u00e9s Ferenc T\u00f3th, Le culte de Saint Martin et la ville de Szombathely Konrad Bia\u0142ecki, Rue \u015aw. Marcin (Saint Martin)\/Czerwonej Armii (Arm\u00e9e rouge) comme [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2494,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[],"class_list":["post-2381","project","type-project","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/project\/2381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/comments?post=2381"}],"version-history":[{"count":0,"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/project\/2381\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/media\/2494"}],"wp:attachment":[{"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/media?parent=2381"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/paris.pan.pl\/en\/wp-json\/wp\/v2\/project_category?post=2381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}