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url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Philippe-Edel.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; child_filter_opacity__hover_enabled=\u00a0\u00bbon\u00a0\u00bb 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Les chemins de la gloire et de l&rsquo;iconographie royale<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Agnieszka-Pawlak.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; child_filter_opacity__hover_enabled=\u00a0\u00bbon\u00a0\u00bb child_filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n<p>Agnieszka Pawlak,<em> La lumi\u00e8re r\u00e9v\u00e9latrice. Qu&rsquo;avons-nous appris sur les portraits du roi Jean III Sobieski gr\u00e2ce aux analyses utilisant le rayonnement optique ?<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Piotr-Ugniewski.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; child_filter_opacity__hover_enabled=\u00a0\u00bbon\u00a0\u00bb child_filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n<p>Piotr Ugniewski, <em>Le d\u00e9but et la fin du r\u00e8gne de Jan III Sobieski dans les relations des diplomates fran\u00e7ais<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Elisabeth-Zapolska-Chapelle.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; child_filter_opacity__hover_enabled=\u00a0\u00bbon\u00a0\u00bb child_filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n<p>Elisabeth Zapolska-Chapelle, <em>Introduction<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Jean-Marc-Warszawski.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; child_filter_opacity__hover_enabled=\u00a0\u00bbon\u00a0\u00bb child_filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n<p>Jean-Marc Warszawski, <em>Mutations, mouvements, \u00e9volution dans le monde de la musique au temps de Maria Szymanowska<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Irena-Poniatowska.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; child_filter_opacity__hover_enabled=\u00a0\u00bbon\u00a0\u00bb child_filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n<p>Irena Poniatowska, <em>Lumi\u00e8res et d\u00e9cadence de la musique de salon au XIXe si\u00e8cle<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Halina-Goldberg.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; child_filter_opacity__hover_enabled=\u00a0\u00bbon\u00a0\u00bb child_filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n<p>Halina Goldberg, <em>The Topos of Memory in the Albums of Maria Szymanowska and Helena Szymanowska-Malewska<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Maria-Stolarzewicz.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; child_filter_opacity__hover_enabled=\u00a0\u00bbon\u00a0\u00bb child_filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n<p>Maria Stolarzewicz, <em>Goethe\u2019s connections with Maria Szymanowska and her sister Kazimiera Wo\u0142owska. Several comments<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Benjamin-Vogel.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; child_filter_opacity__hover_enabled=\u00a0\u00bbon\u00a0\u00bb child_filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n<p>Benjamin Vogel, <em>Piano \u2013 the main attraction of the Polish salon during Maria Szymanowska time<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Maja-Trochimczyk.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; child_filter_opacity__hover_enabled=\u00a0\u00bbon\u00a0\u00bb child_filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n<p>Maja Trochimczyk, <em>History in Song: Maria Szymanowska and Julian Ursyn Niemcewicz&rsquo;s \u015apiewy historyczne<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Hubert-Kowalski.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; child_filter_opacity__hover_enabled=\u00a0\u00bbon\u00a0\u00bb child_filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n<p>Hubert Kowalski, <em>The Legacy of Thorvaldsen in 19th-century Warsaw<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Anna-E.-Kijas.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; child_filter_opacity__hover_enabled=\u00a0\u00bbon\u00a0\u00bb child_filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n<p>Anna E. Kijas, <em>Szymanowska Scholarship: Ideas for Access and Discovery through Collaborative Efforts<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Adam-Gakowski.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; child_filter_opacity__hover_enabled=\u00a0\u00bbon\u00a0\u00bb child_filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n<p>Adam Ga\u0142kowski, <em>Femmes de talent, femmes d\u2019action au temps de Maria Szymanowska<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Piotr-Daszkiewicz-2.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; child_filter_opacity__hover_enabled=\u00a0\u00bbon\u00a0\u00bb child_filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n<p>Piotr Daszkiewicz, <em>L\u2019exp\u00e9dition zoologique polonaise en Alg\u00e9rie : un important \u00e9pisode des sciences naturelles au XIXe si\u00e8cle<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb url=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2019\/01\/Inga-Walc-Bezombes.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/paris.pan.pl\/wp-content\/uploads\/2018\/12\/ikona_pdf.png\u00a0\u00bb icon_placement=\u00a0\u00bbleft\u00a0\u00bb image_max_width=\u00a0\u00bb28px\u00a0\u00bb content_max_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb3.17.6&Prime; header_font=\u00a0\u00bbLato|700|||||||\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb child_filter_opacity=\u00a0\u00bb67%\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb hover_transition_duration=\u00a0\u00bb650ms\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb body_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb body_text_color__hover=\u00a0\u00bb#00a0e3&Prime; 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